Student choreographer Erik Fine, 27, from Chicago, teaches a movement phrase to dancers in his new work titled by the number seven written in tally marks at SMC’s Core Performance Center on Thursday, March 7, 2019. “seven” will premiere at Synapse Dance Theater at the Broad Stage at SMC’s Performing Arts Center campus on Friday and Saturday, May 24 and 25.

When his dancers perform “seven” (the title of Erik Fine’s piece is the number seven written in tally marks) at Santa Monica College’s Synapse Dance Theater at the SMC Performing Arts Center’s Broad Stage on May 24 and 25 it will be a sort of homecoming for 27-year-old choreographer Erik Fine. It will be Fine’s fourth time performing in Synapse, and his second time choreographing for it, but equally importantly, it will be a return to the concert that changed the trajectory of his career.

After high school in his native Chicago, Fine’s family moved to Phoenix. Two years later Fine moved to Los Angeles to pursue his interest in music. And then he met a girl. Who happened to be an SMC dancer. She took him to that year’s Synapse Dance Theater. He was hooked. First he took a dance class. Then he changed his major to dance. Looking back, he’s amazed at how much he’s learned and grown in the last four years at SMC.

Choreographer Erik Fine works with SMC dance major Yurino Niyama (playing Dante’s Beatrice), 19, from Fukuoka, Japan, and SMC dance and chemistry major Tiffany Dong (playing Greed), 20, from San Francisco, in a rehearsal for Fine’s new work “seven.” In this section of the dance Beatrice and Greed (Niyama and Dong) dance a duet. “seven” refers to the seven deadly sins and Dante’s _Inferno_. In Fine’s video game inspired telling, the deadly sins are all game bosses.

“seven” is Fine’s visual representation of Dante’s Inferno and the Seven Deadly Sins. The version of Inferno that Fine is drawing from is a video game. In this telling, each of the Seven Deadly Sins is a Game Boss. In Fine’s choreography, there is no Dante, his cast of eight features Beatrice, and one dancer for each of the Deadly Sins. Each dancer was chosen because Fine saw a resonance between their movement style and one of the Deadly Sins, or in Beatrice’s case, because of her strong, graceful ballet technique.

“seven” opens with a cinematic set piece depicting Beatrice’s descent into hell. Fine says he wants to depict a lingering element of danger. To keep us wondering what monstrosity is around the corner. He says,

On a social level, it’s about what we value as a society. About religion and the sometimes archaic though processes we carry with us.

Erik Fine
Erik Fine, #42, teaches SMC dancers a combination during the auditions for Synapse Dance Theater in SMC’s Core Performance Center.

Asked if there would ever be a dance piece inspired by Dante’s Paradiso, Fine said, “no”, that as you ascend from Inferno to Purgatorio to Paradiso, it gets less interesting.

Fine expects to finish his dance studies at SMC at the end of 2019 and then transfer to the dance department at Long Beach State University. Once he finishes there, he plans to head off to The Big Apple in hopes of taking his career to the next level. Meanwhile, Fine has started to perform with different dance companies around Los Angeles which has generated some money to help pay rent. He knows dance can be a hard career, and has asked himself,

Do I want to be an artist?

But then answers his own question with,

I can’t picture myself behind a desk.

SMC dance major Mio Kato (playing Envy), 25, from Chiba, Japan, and choreographer Erik Fine work on a section of Fine’s new work “seven.”

Of his time at SMC, Fine says that “the Dance Department is amazing. I didn’t realize the quality of the teacher’s training. SMC really goes above and beyond offering different styles of training to include behind-the-scenes help with what it takes to be a dancer.

“The SMC Dance Department doesn’t just create strong technical dancers, they also create strong artists and scholars as well. The faculty here work to provide us with the tools we need.”

“seven” will be one of eleven works presented at Synapse Dance Theater. The concert will feature works by SMC student choreographers, faculty, and guest artist Jay Carlon on the Broad Stage at SMC’s Performing Arts Center campus on Friday and Saturday, May 24 and 25.

Erik Fine leads SMC dancers during the first rehearsal for Synapse Dance Theater in SMC’s Core Performance Center on Tuesday, Feb. 26, 2019.
Choreographer Erik Fine demonstrates lifting dancer Yurino Niyama in a rehearsal for his new work “seven.”
Yurino Niyama is held aloft by dancers in a rehearsal for Erik Fine’s new work “seven.”
Yurino Niyama shares a light moment after being lifted by dancers in a rehearsal for choreographer Erik Fine’s new work “seven.”
SMC dance major Nicolas Albuja, 23, from Ecuador, (Gluttony) relaxes during a break in rehearsals for “seven”, a new work by Erik Fine.
SMC dance and chemistry major Tiffany Dong (playing Greed), 20, from San Francisco, and SMC dance major Yurino Niyama (playing Dante’s Beatrice), 19, from Fukuoka, Japan, work on a duet between Greed and Beatrice in a rehearsal for “seven” a new work from choreographer Erik Fine.
Niyama (Beatrice) and Dong (Greed) work on a duet between Beatrice and Greed.
Tiffany Dong rehearses for Erik Fine’s new work “seven.”
SMC dance major Marii Kawabata, 22, from Amami Ōshima, Japan rehearses for Erik Fine’s new work “seven.” Kawabata performs the role of Lust.
Choreographer Erik Fine stretches for a moment before starting rehearsal for his new work “seven.”

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